The School of Film and Television’s major in Film and Television Production is designed to enable students to express their ideas on the screen whether that screen is in a theater, at home, or held in one’s hand. Beyond the existing television and theatrical feature landscape, new forms of media empower a single person to be both a worldwide broadcaster and a very selective receiver. Digital technologies have created new ways of working that transcend the traditional distinctions between film and television. The Film and Television Production major combines the best of both of these fields.
Students admitted to this rigorous major quickly become immersed in the art of storytelling for the screen. They encounter and study great works of world cinema, both past and present, and ponder the ramifications of the emerging media of the future. They receive expert hands-on training in writing the screenplay, directing actors, cinematography, sound recording and design, and editing. In the process, each student learns about the challenging relationship between art and technique, and how both serve each other. Students learn the practical aspects of mounting a production: budgeting, location scouting, casting, set design and construction, post production, and the importance of safety in all aspects of what they do. Complete, premier art equipment and technology are available 24/7–all in service of story. Through teamwork, students learn an appreciation for all of the artists who labor to serve the story, and the camaraderie that comes from working as part of a crew engaged in a large, collaborative creative enterprise.
Students also learn to find their individual voices, and express their own points of view, on projects driven by their own creative choices. Beginning with their work on a series of short and intermediate films, students forge the fundamental skills of visual storytelling. Each student’s experience culminates with a final project in which advanced students create their own thesis films.
By studying a diverse canon of great films and filmmakers, students will gain a broad understanding of the history and socio-historical contexts of American and global film, television, and emerging media to inspire them to create transformative works of their own.
Students will master the methods of visual storytelling–through screenwriting, camera placement and movement, lighting, blocking and performance, post-production picture and sound–to create content with unique cinematic expression and engaging dramatic structure.
Students will demonstrate mastery of the components and processes in at least one of the following areas of specialization: Creative Producing, Fiction Directing, Non-Fiction Directing, Cinematography, or Post-Production.
By analyzing past historical works and applying technical and storytelling skills, students will be able to produce works with a strong personal voice that show vision and imagination.
Students will work constructively to problem solve and collaborate in diverse teams to create impactful media.
Code | Title | Semester Hours |
---|---|---|
First Semester Requirements | 12 | |
Program Requirements | 39 | |
Thesis Requirements | 9 | |
Total Semester Hours | 60 |
First Year | ||
---|---|---|
Fall | Semester Hours | |
PROD 500 | Directing the Short Film I: Vision and Exploration (must earn B- or higher) | 3 |
PROD 541 | Introduction to Cinematography (must earn B- or higher) | 3 |
PROD 566 | Introduction to Post-Production (must earn B- or higher) | 3 |
SCWR 501 | Fundamentals of Cinematic Storytelling (must earn B- or higher) | 3 |
Semester Hours | 12 | |
Spring | ||
PROD 530 or SCWR 530 |
Intermediate Documentary Pre-Production or Developing the Short Film |
3 |
PROD 550 | Directing the Short Film II: Visual Storytelling (must earn B- or higher) | 3 |
PROD 570 | Production Planning | 3 |
RECA 500 | Sound for Production | 3 |
Semester Hours | 12 | |
Second Year | ||
Fall | ||
PROD 600 | Directing the Short Film III: Directing Actors (must earn B- or higher) | 6 |
RECA 567 | Seminar in Sound 1 | 3 |
Students declare one of the following specializations: | ||
Cinematography Specialization | ||
Creative Producing Specialization | ||
Directing Fiction Specialization | ||
Directing Non-Fiction Specialization | ||
Editing Specialization | ||
Semester Hours | 9 | |
Minimum Semester Hours | 33 |
must be taken alongside PROD 600 Directing the Short Film III: Directing Actors
Second Year | ||
---|---|---|
Spring | Semester Hours | |
FTVS 513 | Seminar in American Film | 3 |
PROD 567 | Practicum in Color Correction | 3 |
PROD 642 | Cinematography II | 3 |
Semester Hours | 9 | |
Third Year | ||
Fall | ||
FTVS 514 | Seminar in International Film | 3 |
PROD 649 | Cinematography Master Class | 3 |
Select three semester hours of the following advanced electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Advanced Editing | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (topics specified by Chair, including Post Production Supervisor Workshop, Spring only) | ||
Advanced Production Seminar (DIT Workshop) | ||
Directing the Camera (Spring only) | ||
Semester Hours | 9 | |
Spring | ||
PROD 675 | Thesis Portfolio | 3 |
Select three semester hours of the following advanced electives: 1 | 3 | |
PROD 580 | Music Video Production (Fall only) | 3 |
PROD 598 | Special Studies (topics specified by Chair) | 0-4 |
PROD 666 | Advanced Editing | 3 |
PROD 684 | Visual Design (Summer only) | 3 |
PROD 685 | Advanced Production Seminar (topics specified by Chair, including Post Production Supervisor Workshop, Spring only) | 2 |
PROD 685 | Advanced Production Seminar (DIT Workshop) | 1 |
PROD 688 | Directing the Camera (Spring only) | 3 |
FTVS Elective–Film, Television, and Media Studies: Select one course (or three3 semester hours) from FTVS 500 or 600 level. | 3 | |
Semester Hours | 24-28 | |
Minimum Semester Hours | 42-46 |
Nine total semester hours are required for the degree. Other courses by permission only.
Second Year | ||
---|---|---|
Spring | Semester Hours | |
FTVS 513 | Seminar in American Film | 3 |
PROD 633 | Developing, Selling, and Monetizing Digital Content | 3 |
PROD 639 | Producing Master Class | 3 |
Semester Hours | 9 | |
Third Year | ||
Fall | ||
FTVS 514 | Seminar in International Film | 3 |
SCWR 685 | The Business of Entertainment (must be taken Fall of 3rd Year) | 3 |
Select three semester hours of Advanced Electives: | 3 | |
Special Studies (topics specified by Chair) | ||
Film and Television Development | ||
Advanced Motion Picture Script Analysis | ||
Feature Screenwriting: Writing and Producing for TV | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Semester Hours | 9 | |
Spring | ||
PROD 675 | Thesis Portfolio | 3 |
Select three semester hours of Advanced Electives: | 3 | |
Music Video Production | ||
Special Studies (topics specified by Chair) | ||
Advanced Motion Picture Script Analysis | ||
Feature Screenwriting: Writing and Producing for TV | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
FTVS Elective–Film, Television, and Media Studies: Select one course (or three semester hours) from FTVS 500 or 600 level | 3 | |
Semester Hours | 9 | |
Minimum Semester Hours | 27 |
Second Year | ||
---|---|---|
Spring | Semester Hours | |
FTVS 513 | Seminar in American Film | 3 |
SCWR 620 | Writing the Production Thesis Screenplay | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Web Series Development | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring only) | ||
Visual Effects (Spring only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (topics specified by Chair, including Editing and Finishing the Short, DIT Workshop, Post Production Supervisor Workshop) | ||
Actor Workshop | ||
Directing the Camera (Spring only) | ||
Advanced Post-Production Sound | ||
Advanced Motion Picture Script Analysis | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Feature Screenwriting: Writing and Producing for TV | ||
Semester Hours | 9 | |
Third Year | ||
Fall | ||
FTVS 514 | Seminar in International Film | 3 |
PROD 650 | Thesis Project I: Pre-Production and Production (must earn B- or higher) | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Developing, Selling, and Monetizing Digital Content | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring Only) | ||
Visual Effects (Spring Only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (topics specified by Chair, including Editing and Finishing the Short, DIT Workshop, Post Producition Supervisor Workshop. Spring only) | ||
Actor Workshop | ||
Directing the Camera (Spring only) | ||
Advanced Post-Production Sound | ||
The TV Writers Room | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Feature Screenwriting: Writing and Producing for TV | ||
Semester Hours | 9 | |
Spring | ||
PROD 670 | Thesis Project II: Post-Production | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Developing, Selling, and Monetizing Digital Content | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring Only) | ||
Visual Effects (Spring Only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (topics specified by Chair, including Editing and Finishing the Short, DIT Workshop, Post Production Supervisor Workshop) | ||
Actor Workshop | ||
Advanced Post-Production Sound | ||
Directing the Camera (Spring only) | ||
The TV Writers Room | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Feature Screenwriting: Writing and Producing for TV | ||
FTVS Elective - Film, Television, and Media Studies: Select one course (or three semester hours) from FTVS 500- or 600-level. | 3 | |
Semester Hours | 9 | |
Minimum Semester Hours | 27 |
Nine total semester hours are required for the degree. Other courses by permission only.
Second Year | ||
---|---|---|
Spring | Semester Hours | |
PROD 626 | Pre-Production for Documentary Thesis | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Developing, Selling, and Monetizing Digital Content | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring Only) | ||
Visual Effects (Spring Only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (topics specified by Chair, including Editing and Finishing the Short, DIT Workshop, Post Production Supervisor Workshop) | ||
Actor Workshop | ||
Directing the Camera (Spring only) | ||
Advanced Post-Production Sound | ||
Advanced Motion Picture Script Analysis | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Feature Screenwriting: Writing and Producing for TV | ||
FTVS Elective–Film, Television, and Media Studies: Select one course (or three semester hours) from FTVS 500 or 600 level. | 3 | |
Semester Hours | 9 | |
Third Year | ||
Fall | ||
FTVS 514 | Seminar in International Film | 3 |
PROD 650 | Thesis Project I: Pre-Production and Production (must earn B- or higher) | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Developing, Selling, and Monetizing Digital Content | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring Only) | ||
Visual Effects (Spring Only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (Seminar in Directing) | ||
Advanced Production Seminar (Editing and Finishing the Short. Spring only) | ||
Advanced Production Seminar (Topics chosen by the Chair) | ||
Advanced Production Seminar (DIT Workshop) | ||
Advanced Production Seminar (Post Production Supervisor Workshop, Spring Only) | ||
Actor Workshop | ||
Directing the Camera (Spring only) | ||
Advanced Motion Picture Script Analysis | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
Semester Hours | 9 | |
Spring | ||
PROD 670 | Thesis Project II: Post-Production | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Music Video Production (Fall only) | ||
Special Studies (topics specified by Chair) | ||
Developing, Selling, and Monetizing Digital Content | ||
Film and Television Development | ||
Producing Master Class | ||
Cinematography II (Spring Only) | ||
Visual Effects (Spring Only) | ||
Advanced Editing | ||
Advanced Directing Seminar | ||
Visual Design (Summer only) | ||
Advanced Production Seminar (Seminar in Directing) | ||
Advanced Production Seminar (Editing and Finishing the Short, Spring only) | ||
Advanced Production Seminar (topics specified by Chair) | ||
Advanced Production Seminar (DIT Workshop) | ||
Advanced Production Seminar (Post Production Supervisor Workshop, Spring Only) | ||
Actor Workshop | ||
Directing the Camera (Spring only) | ||
Advanced Motion Picture Script Analysis | ||
Writing the Drama TV Series Spec | ||
Writing the Comedy TV Series Spec | ||
FTVS 513 | Seminar in American Film | 3 |
Semester Hours | 9 | |
Minimum Semester Hours | 27 |
Nine total semester hours are required for the degree. Other courses by permission only.
Second Year | ||
---|---|---|
Spring | Semester Hours | |
FTVS 513 | Seminar in American Film | 3 |
Select two of the following Advanced Electives: 1 | 6 | |
Practicum in Color Correction | ||
Special Studies (topics specified by Chair) | ||
Cinematography II (Spring only) | ||
Visual Effects | ||
Advanced Production Seminar (topics specified by Chair, including Post Production Supervisor Workshop, DIT Workshop) | ||
Advanced Post-Production Sound | ||
Semester Hours | 9 | |
Third Year | ||
Fall | ||
FTVS 514 | Seminar in International Film | 3 |
PROD 666 | Advanced Editing | 3 |
Select three semester hours of the following Advanced Electives: 1 | 3 | |
Practicum in Color Correction | ||
Special Studies (topics specified by Chair) | ||
Cinematography II (Spring only) | ||
Visual Effects (Spring only) | ||
Advanced Production Seminar (topics specified by Chair, including Post Production Supervisor Workshop, DIT Workshop) | ||
Advanced Post-Production Sound | ||
Semester Hours | 9 | |
Spring | ||
PROD 675 | Thesis Portfolio | 3 |
PROD 685 | Advanced Production Seminar | 1-3 |
FTVS Elective–Film, Television, and Media Studies: Select one course (or three semester hours) from FTVS 500- or 600-level. | 3 | |
Semester Hours | 7-9 | |
Minimum Semester Hours | 25-27 |
Nine semester hours are required for the degree. Other courses by permission only.
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